Barefoot in the Park
by Neil Simon
An Algonquin Arts Theatre Production
Paul and Corie Bratter are newlyweds in every sense of the word. He's a straight-as-an-arrow lawyer and she's a free spirit always looking for the latest kick. Their new apartment is her most recent find - too expensive with bad plumbing and in need of a paint job. After a six-day honeymoon, they get a surprise visit from Corie's loopy mother and decide to play matchmaker during a dinner with their neighbor-in-the-attic Velasco, where everything that can go wrong, does. Paul just doesn't understand Corie, as she sees it. He's too staid, too boring and she just wants him to be a little more spontaneous, running "barefoot in the park" would be a start.
Director: Anthony Greco
Producer: Algonquin Arts Theatre
Tuesday, November 29 from 7:30 to 9:30 p.m.
Wednesday, November 30 from 7:30 to 9:30 p.m.
LOCATION OF AUDITIONS
All auditions will be at the Algonquin Arts Theatre, 173 Main Street, Manasquan.
1. Recent headshot and resume stapled together.
2. Prepare a memorized one to two-minute comedic monologue.
3. Please look over the materials listed below; readings from these scenes will be conducted at auditions.
Rehearsals will begin the week of December 5, 2016. Exact rehearsal schedule will be set once the availability of all actors is learned but will take place during weekday evenings and some weekends.
Technical Rehearsals will begin on January 22.
Saturday, January 28 at 2 p.m. and 8 p.m.
Sunday, January 29 at 3 p.m.
Friday, February 3 at 8 p.m.
Saturday, February 4 at 2 p.m. and 8 p.m.
Corie Bratter (female, 20s) a newlywed. She is young, pretty, and full of enthusiasm for the future. Impulsive and fun-loving, she considers herself a doer, not a watcher.
Paul Bratter (male, 20s) Corie's husband, a twenty-six-year-old attorney in his first job. Both his dress and his outlook are very conservative. Extremely proper and dignified, he always knows the right thing to say. He is levelheaded and practical, and he keeps his emotions in check, perhaps too much so.
Mrs. Ethel Banks (female, late 40s+) Corie's mother. Although she is still pretty, she has fallen out of step with the fashions. Consciously or unconsciously, she has adopted a narrow image of herself as someone with a sensitive stomach, a bad back, and no need for romance. It takes a wild evening out with Victor Velasco for Ethel to rediscover her carefree and spontaneous self.
Victor Velasco (male, 50s+) The Bratters' kooky upstairs neighbor. A very colorful character, middle-European accent sought (preferably Russian). He is vain, flamboyant, and without shame when it comes to letting someone else pick up a tab. Married three times, he is a terrific flirt.
Harry Pepper, the Telephone Repair Man (male, 40s+) He is young at heart. But way to old too climb the five flights to the Bratters' new apartment. Six flights if you count the front stoop. Harry wants more than anything to help get the Bratters started on their path of marital bliss. His contribution is the installation of their first phone.
Delivery Man (male, 50s+) A non-speaking cameo role, but has the ability to steal the show in his few moments on stage.
Midsummer Night's Dream
A comedy by William Shakespeare
AYE | An Algonquin Arts Theatre Production, featuring the Algonquin Youth Ensemble
There's a moon out tonight, and it's shining on lovers, clowns, and fairies hip-hopping through the enchanted woods in the most resilient of Shakespeare's comedies, easily adapting itself both to traditional and a radically new interpretation.
Ages 10 & Up
Director: Ruben Nagy
Teaching Artists: Ian Moore & Julie Nagy
ACCEPTANCE THROUGH AUDITION ONLY
Monday, January 16, 2017 - By appointment only starting at 6 p.m.
Please email Julie to schedule an audition: email@example.com.
Wednesday, January 18, 2017 starting at 6 p.m.
*** Actors will be told at their initial audition whether or not they should attend the callback scheduled. If the callback is a conflicting time, please indicate this on your audition form which will be given at the initial audition.
All auditions will be at the Algonquin Arts Theatre, 173 Main Street in Manasquan.
Audition requirements for all participants:
1. Recent head shot or color photo (school photo is fine) and resume.
2. READ THE PLAY! A Midsummer Night's Dream by William Shakespeare can be located online, Barnes and Noble or your the local library. *The Director recommends the Arden, Folger or Barnes & Noble versions of William Shakespeare's play.
3. Review and be prepared to audition with one the following character monologues. Memorization is NOT required, only to be familiar with the play and characters to fully grasp the objective of the scenes in which you will be asked to read from.
1. Hermia (download) | The daughter of Egeus and the beloved of Lysander and Demetrius (at least at the beginning of the play). She is strong-willed, believes in her right to choose her husband based on love, and is fiercely loyal. When crossed, Hermia can become a downright vixen. Hermia is beautiful, though she's small in stature and somewhat sensitive about it.
2. Helena (download) | She loves Demetrius, and at one time he returned her love. But before the play begins, he fell in love with Hermia and left Helena in despair. Because of Demetrius's abandonment of her, Helena lacks self-confidence and self-respect, going so far as to tell Demetrius that she'll love and follow him even if he treats her like his dog. She's also a bit conniving and desperate, willing to betray her friend Hermia's confidence in order to try to win back Demetrius's love. Physically, according to specific text, she's tall or taller than Hermia.
3. Lysander (download) | An Athenian nobleman who loves Hermia. In many ways, he is the model of a constant lover. He risks death under Athenian law by coming up with the plan to elope into the woods with Hermia, and only strays from his loyalty to Hermia under the influence of the love juice. When the effect of the spell is removed, he returns to his true love.
4. Titania (download) | The Queen of the Fairies and Oberon's wife. Titania is strong willed and independent, willing to fight her husband for control of the changeling boy. She is also powerful. Her fight with her husband causes nature to act strangely, and her fairies always follow her commands. She is not, however, immune to the power of the juice from the love-in-idleness flower. As a lover, she is doting, though jealous.
5. Egeus (download) | Hermia's father, Egeus is an overbearing and rigid man who cares more about what he wants than his daughter's desires. He is so vain and uncaring; he is willing to let his daughter die if she won't do as he tells her.
6. Bottom (download) | A weaver whose supreme confidence in his acting skill convinces the other laborers to give him the lead role of Pyramus in their version of Pyramus and Thisbe. In fact, Bottom is a seriously incompetent actor who understands neither his lines nor theater in general. All this makes him a profoundly funny character. Because he has no idea he's incompetent, he never ceases to make long, overly dramatic speeches filled with incorrect references and outright absurdities. Even when Puck transforms his head into an ass's head, Bottom fails to realize it and takes it as unsurprising when Titania falls in love with him. Yet though Bottom is certainly extremely foolish and self-important, he means well.
4. Additionally review and be prepared that you may be asked to read from any one of the following scenes or for any one character:
1. ACT II, SCENE I (download). A wood near Athens.
2. ACT II, SCENE II (download). Athens. QUINCE'S house.
3. ACT I, SCENE I (download). Athens. The palace of THESEUS.
5. Keep Wednesday, January 18, 2017 available after 6 p.m. for a call back.
6. BEFORE YOU AUDITION, be advised that students must be available for classes, evening rehearsals that are to be scheduled according to the actor's role and all tech/performance dates.
AYE | Algonquin Youth Ensemble
Algonquin Youth Ensemble students will study and perform William Shakespeare, A Midsummer Night's Dream. Experience the process of auditioning, script analysis, physical detail in acting while studying Shakespeare's text and learn to bring the story on its feet by speaking the language out loud as Shakespeare intended. The classroom is an educational environment structured with lessons that work hand-in-hand with the rehearsal, directing and staging of the main stage performance.
Students must be available for classes, evening rehearsals that are to be scheduled according to the actor's role and all tech/performance dates.
Rehearsals (outside of classes) will begin in March 2017. Exact rehearsal schedule will be set once the availability of all actors is learned but will take place during weekday evenings and weekends.
CLASS TIMES FOR AYE STUDENTS:
In addition to evening rehearsals (TBA), all AYE participants must attend the following Saturday classes from 10 a.m. to 1 p.m. (10 classes total): 2/11, 2/18, 2/25, 3/4, 3/11, 3/18, 3/25, 4/1, 4/8, 4/22.
Technical Rehearsals will run April 24, 25, 26 & 27 - Evening tech rehearsals, to be scheduled after 6 p.m.
*Friday, April 28, 2017 at 10 a.m. *Education Series Performance.
*Friday, April 28, 2017 at 12 p.m. *Education Series Performance.
Friday, April 28, 2017 at 8 p.m.
Saturday, April 29, 2017 at 8 p.m.