Cinderella | Algonquin Arts Theatre
Cinderella
April 1 - April 10, 2022
The timeless enchantment of the magical fairy tale comes to life with Rodgers & Hammerstein hallmarks of originality, charm and elegance
Performances
Friday, April 1
8:00pm - Was 5/14/21
Saturday, April 2
8:00pm - Was 5/15/21
Sunday, April 3
3:00pm - Was 5/16/21
Friday, April 8
8:00pm - Was 5/21/21
Saturday, April 9
2:00pm - Was 5/22/21
Saturday, April 9
8:00pm - Was 5/22/21
Sunday, April 10
3:00pm - Was 5/23/21
Tickets

Subscriptions on sale starting Tuesday, August 31 at 10 am
Single tickets on sale starting Tuesday, Sept. 21 at 10 am

Pricing

Premium: $42 (Adult), $39 (Senior), $33 (Student 4 & up)
Regular: $34 (Adult), $31 (Senior), $25 (Student 4 & up)

Subscription

Purchase 4 or 5 Broadway Series productions to make a great value even better!

Event Information

Entry Requirements

This policy is subject to change at any time and will be reviewed monthly. Latest Update: 8/31/21. Please be sure to check policies during the week prior to your show for updates.

For Guests Age 16 & Older

  • Proof of full COVID-19 vaccination OR a negative COVID-19 test within 72 hours of show time.
  • AND
  • Masks are STRONGLY RECOMMENDED in theatre except when actively eating & drinking.

For Guests Ages 4-15

  • Masks will be required in the theatre except when actively eating & drinking. (There is no vaccination or negative test requirement for anyone between ages 4 & 15)

Proof of Vaccination
Acceptable forms of vaccine proof:

  • Physical Vaccination Card
  • Photo Copy of Vaccination Card
  • Digital photo of Vaccination Card (please be sure date of all shots/boosters are visible)
  • Documentation on the Docket App (NJ)
  • Documentation on the Excelsior App (NY)

Please contact us in advance of attending if you have an alternate form of proof.

More detailed information including options for ticket holders unable to follow this policy is available on our Pandemic Policies page.


Show Details

Estimated Running Time: 2 hours, 15 minutes
Intermission: Yes
Recommended Age: 6 & up (Children under 4 will not be admitted to Broadway Series titles)

Synopsis

The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true.

In 1956 Richard Rodgers and Oscar Hammerstein II were indisputably the world’s most successful writers of musicals. Julie Andrews was a sparkling new star, having just triumphed in My Fair Lady. When her agent approached Rodgers and Hammerstein and suggested that the television audience would welcome a musical version of "Cinderella," it was an irresistible temptation for all.

Everything about the project was right from the start. The CBS production team was quickly assembled. Richard Lewine, a distant cousin of Rodgers and a close friend, was the producer, Ralph Nelson the director. Howard Lindsay and his wife, Dorothy Stickney, were signed for the King and Queen; Jon Cypher played the Prince; the Stepmother and Stepsisters were made less frightening and more comic by Ilka Chase, Kaye Ballard and Alice Ghostley; rather than the standard old crone, the beautiful Edie Adams played the Godmother.

Rodgers and Hammerstein approached the story with the honesty and simplicity that characterized all their work. They purposely did not seek to improve a story they felt was dramatically sound, as many writers are prone to do, instead concentrating on bringing the characters to life. Rodgers wrote in his autobiography Musical Stages, “In writing the story and the songs, Oscar and I felt that it was important to keep everything as traditional as possible, without any ‘modernizing’ or reaching for psychological significance.” When Hammerstein was asked where he found the version of Cinderella story he based his adaptation upon, he answered, “I looked it up in the encyclopedia.”

The marriage of music, lyrics and story in Cinderella exemplified their artistic philosophy; all elements held together integrally to illuminate the characters. As Rodgers explained, “Although a few of its songs have become popular, our score for Cinderella is another example of what theatre music is really about. No matter what the medium, a score is more than a collection of individual songs. It is, or should be, a cohesive entity whose word and music are believable expressions of the characters singing them...Like a symphony, concerto or opera, some portions have greater appeal than others, but it is the work as a whole that makes the overall impression.”

Cinderella succeeded. When it was broadcast on March 31, 1957, it was viewed by more people than any other program in the history of television.

Cast & Creative Team
This show has not yet held auditions. Visit our audition page for more information.
Sponsors
Interested in sponsoring a show at Algonquin Arts Theatre? Call 732-528-9211 for information.